| Suzhou was mentioned
in history books as early as in 484 B.C. since it
was, for a few years, the capital of the State of
Wu during the Period of the Warring States Period
(403-221 B.C.). It flourished as a trading and silk
center in the early sixth century, linked with the
capital through the Grand Canal.
Encircled by the Grand Canal, Suzhou has its
unique scenery of crisscrossing waterways and
streets lined with houses and stone bridges. It
was called a "Paradise on Earth" in
ancient times and is known as the "Venice
of the East" today.
During the Ming and Qing Dynasties, Suzhou saw
a period of feudal economic prosperity and cultural
flowering. Consequently, the number of privately-owned
gardens in the city of Suzhou and its environs
increased a great deal, mounting to 280 odd. A
galaxy of great masters emerged and the art of
landscape gardening reached its apogee. Many have
survived to the present day and are open to the
public such as the Blue Wave Pavilion and the
Garden of the Master of the Nets first built in
the Song Dynasty, the Lion Grove in the Yuan Dynasty,
the Humble Administrator's Garden and the Garden
of Cultivation in the Ming Dynasty, the Garden
for Lingering In, the Coupling Garden, the Garden
of Harmony, the Zigzag Garden and the Listening
to Maple Garden in the Qing Dynasty. The Humble
Administrator's Garden and the Garden for Lingering
In, noted for their artistic perfection and individual
characteristics, are known as China's four most
famous gardens along with the Summer Palace in
Beijing and the Imperial Mountain Resort in Chengde.
A Suzhou garden is the "origination of urban
scenery", a microcosm of the world made of
the basic elements of water, rocks, plants and
buildings, which are arranged in such a way that
they reflect the sequential beauty in the garden,
the passage of time, the dissimilarity between
mornings and evenings, and the succession of the
seasons within the boundary of the wall and lead
a sequestered life amongst the bustling city.
Ancient Chinese garden builders were all highly
educated and good at verse and painting. Rich
in literary allusions and analogous with the freehand
brushwork in traditional Chinese painting, the
classical gardens of Suzhou are the re-creation
of nature through the processes of the decoration
of land by planting trees, shrubs and flowers,
and designing and materializing mountains and
watercourses. Sometimes they are called "a
silent poem and the three-dimensional painting".
Strolling through a garden is like appreciating
the poetic works of great master or unrolling
a long scroll of Chinese landscape painting. Distinctively,
garden buildings and beauty-spots have plateaus,
inscribed stele are of great antiquity and parallel
couplets in excellent calligraphy and tonal arrangement
with the purpose of expressing owner's temperament,
moral worth, deep feeling or noble thought. There
are many instances in illustration of Chinese
ethical, ideological and intellectual pursuits.
The Hall of Drifting Fragrance in the Humble Administrator's
Garden indicates that the owner wants to be as
pure and clean as lotus blooms, and the Fragrant
Isle, named after fragrant herbs, is emblematic
of noble sentiments. Like an ancient hermit boat
sailing about freely and happily, the Fancy Boat
Study in Garden of Harmony is symbolic of the
freedom of the will. The True Meaning in the Garden
of the Master of Nets and the Small Utopia in
the Garden for Lingering In are suggestive of
the rustic simplicity of country life. Interwoven
with these ideas, every rock, every waterway,
every plant, and every part of the garden affords
much food for thought. Indeed, the classical gardens
of Suzhou are the places where people can cultivate
their minds and take great pleasure in studying
Chinese aesthetics. Employing extraordinary methods
and techniques in older days, the garden builder
successfully created within limits endless varieties
of perspectives, dazzling the eye as well as the
mind. The garden is full of surprises. The view
is changing at every step. On a garden walk, there
are countless different incidents-garden courts
in succession, small bridges, murmuring brooks,
white-washed walls, gray roof-tiles, numerous
latticed windows with intricate patterns, pathways
winding up and down hills, and leading to places
of quietude, mosaics and pavements with all kinds
of delicate geometric or representations of brocade,
mini-gardens in out-of-the-way places, etc. It
is impossible to explore and learn about them
all. "With mountain chains and rivers ahead,
you might think that there's no way through. Why,
shady willows and brilliant flowers keep one more
village out of sight". In a word, there's
an enchanting impression of infinitude.
Other scenic spots in Suzhou include the West
Garden Temple, Garden of Harmony, North Temple
Pagoda and the Temple of Mystery, all well -known
in China.
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